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It is all for the Art You'll have to pardon me if I take a Fan Mail page and devote it entirely to my art, but I have done things other than pissin' all over the Holy Bible. So if you please, listen to the pretty girls, read their reviews, and then see for yourself. I welcome your input no matter what you think. Send
in your mail, |
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The lovely Allison returns. Another certified/ satisfied Truth Adventurer!
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I have a few questions for you that I'm interested in. Who are your influences, inspirations, and motivations? What is it about women body builders that you like so much or what about them give you the passion to wanna draw them? (Myself, I have a watercolor painting of a muscular backside of a man. I have my feeling on the human body, so that is why I asked this question.) What people in your life help support you in your art? And last but by no means least...Do you think that the gummie worms and the marshmallow chicks can live in harmony? Sincerely, Natashia |
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My biggest influences/ motivators have always been my 2 older brothers. They are both approx. a decade older than me and I have always looked up to them. Each for very different reasons. The oldest brother (Chris) is the artist. He has always excelled in everything that he's tried (cartooning, painting, sculpting, puppeteering, it starts getting a little more pathetic from here, banjo, unicycle, juggling... oh nevermind). He is the one who I could never outdo, and that has always pushed me to do better. And it was Chris who introduced me to the Mac and the Internet. My other brother (Rick) showed me what was cool and the importance of being original (introducing me to bands, style and the alternative scene as it was once known). Ever since my high school years I have always gotten along with Rick best... out of anyone I know. In high school I drew because that was all that I was good at. I didn't care about any illustrating artists. The artists that I cared about were Crispin Glover, David Lynch, Andy Kaufman, Tom Waits, Emo Phillips, maybe Warhol and other "weirdoes" without a scene. I have always been taken by their type of originality and striking awkwardness'. And I appreciated their ability to fool. I have purposely avoided artists who work on paper or canvas. The most important thing to me is being original. I have been referred to many other artists, but in all honesty, I don't care about them. I'm very self-centered that way. I don't want to know who my stuff looks like, and I don't want to see their stuff. I relate a lot to Robert Crumb. I have always been attracted to strong women. When I was younger I would secretly draw pictures of superhero girls (capes, super powers, tights with slight muscular build). I have always been fascinated by women with muscles and it's what I owe a lot of my skills to. The muscular body lends itself so well to art, as I'm sure you relate with those butt-pics you paint. I dated a female bodybuilder for over a year (who had a very nice butt indeed). It was a very educational experience. I saw the reality of the sport and my lusts were definitely tempered. Many of the portraits you've seen were done for girls that I'd met or befriended, and I still think that they are some of my best work. Thank you once again for your letter. You can be sure I will be posting it, and my response to it. Bob. |
| In your oddities ink pieces I am diggin' the little oddball caption. "He'd tell you that the name was not referring to what was between his ears. Then he'd laugh, drool and wipe it off on his arm." Now that is badass. That right there...those little sweet nothings about the piece, they tickled my fancy. |
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Reading some of the explanation of your pieces seem like your were complied against your will to explain some of your work. I hope that I didn't come across as you had to explain ALL of them. But myself I like what about the work has inspired YOU. Your emotions, your reasoning, etc. To me, it opens a door to show a little soul. Not saying that the work itself doesn't have that already, but its nice to see what the artist was feeling....ya get what I mean. |
| I'm very impressed with your digital artwork. I'm jealous if anything. I have a younger brother that is into the computer animation. I myself am still old fashion. lol I still work with clay. I haven't wanted to take the time for computer art until a few months ago when I started to have ideas for CD labels. I'm sure that working with the PC is fairly easy for art, but I don't feel the connection. I like to be dirty in art, get my hands into it...ya know? |
| You have very good control over the shading and lighting in this piece. Just like in the drawing "Nine more days" again your control over the shading and light is badass. I would have been a mess after drawing either of those. There would be pencil all over my fingers, face, and forehead. The messier you are the better the picture turns out...at least in my eyes. |
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I can't help but to be inspired to pick up where I left off and draw after typing to you about your art. I have always had an eye for what is artist and poetic. Thank you so much for letting me speak freely about your work. Not many care to know what others think because they are so dead set in their way or it's no way. Sometimes just sometimes, if you can touch a person in a way without words, you are truly the artist that you have been striving to be. Your Friend, Natashia |
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